Tag Archives: Heitz

The Sattlermeister of Trarbach

August Heitz, one of a dozen children born to Carl Theodor Heitz and Anna Maria Moog, was born on 26 March 1846 in Trarbach, Bernkastel-Wittlich, Rhineland-Palatinate, Germany. His father was a tanner, and August was destined to work with leather as well: following an apprenticeship to learn the trade, and time spent as a journeyman to hone his skills, he became a sattlermeister, or master saddler.

Trarbach, Marktplatz vor dem Stadtbrand von 1857 [Marketplace before the Town Fire of 1857], Holzstich; ; Wikimedia Commons, copyright Bligny.

August was thirty-one, likely well established in his trade, when he married Julianna Carolina Faust on 18 August 1877. Julianna, then twenty-one years of age, was the daughter of a cooper and likewise a native of Trarbach. The couple settled in their hometown, idyllically situated along the Mosel River and surrounded by abundant vineyards, and raised five children there: Julchen, Carolina, Anna Maria, Ida, and Adolf Heitz. A sixth child, August, died in infancy.

As a saddler in the final years before automobiles became widespread, August would have worked to make and repair saddles, bridles, and harnesses. He would also have trained others who wished to learn his trade, and the handwritten contract of at least one of his apprentices is extant. On 20 June 1901, the widow Anna Faust contracted her son, Otto, to a three-year apprenticeship under August Heitz, paying him a one-time fee of fifty marks for his tutelage. August promised to provide Otto with thorough instruction, health insurance and “contributions from his means,” whereas Otto agreed to diligent, orderly work and conduct. Otto would also be free on certain days to assist his mother “with her own work.” Interestingly, this contract notes that August was a tapezierer, or upholsterer, in addition to being a saddler.

It is unknown whether August also shared his knowledge of his trade with his surviving son, Adolf, as he ultimately made his career as a wine merchant. This trade was shared by two of August’s sons-in-law, as well, the husbands of both Julchen and Ida; Carolina’s husband was an innkeeper. Only Anna Maria did not marry; she joined a religious order.

August Heitz photograph, circa 1910, Germany; digital image 2011, privately held by Melanie Frick, 2023.

Little else is known of August’s life in Trarbach, although it appears that through his trade he was able to provide a comfortable life for his family. The only known photograph of him seems to have been taken when he was in his sixties, sometime around the year 1910. Sporting a dapper mustache and a pleasant expression, he wore a collared shirt, necktie, vest, and double-breasted wool suit coat for the occasion.

August Heitz died at the age of sixty-seven on 23 December 1913, survived by his wife, five children, and, eventually, six grandchildren.

Copyright © 2023 Melanie Frick. All Rights Reserved.

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A Trip to Koblenz

It may have been a special occasion when Ida (Heitz) Möll of Traben-Trarbach, Mosel, Germany, traveled fifty miles northeast to the town of Koblenz, also on the Mosel River, to have her photograph made. In 1907, Ida turned twenty-two.1 She would not marry until 1914, so her photograph was not taken in honor of her wedding.2 Perhaps she had traveled to Koblenz with her family, whether it was a semi-regular trip made for the purposes of shopping or visiting, or a rare chance to experience a larger city. Whatever the reason, in 1907, Ida made her way to Koblenz, likely by train, and came away with two photographs of herself in different poses.

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Ida (Heitz) Möll photograph, 1907, Koblenz, Germany; digital image 2011, privately held by Melanie Frick, 2013.

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What can we learn from these photographs? Ida was photographed at C. Wilhelm’s Hofphotograph studio in what was called, at that time, Coblenz. The photographs are narrower than others that I have seen before. The date “1907” is stamped in the lower corner of one of the photographs, a date that appears to be accurate based on the clothing Ida wears. Her dress, made of a heavy fabric that seems suited to cool weather, features a high collar, a skirt with soft gathers, a bodice that is puffed gracefully over her waistband, and sleeves that are very full at the top but fitted at the forearm. Her hair is styled in a Gibson Girl manner, puffed full around her face and coiled and fastened in the back.3 Note the side part struggling to make an appearance – perhaps she hadn’t been styling her hair in this manner for very long!

No rings adorn Ida’s fingers; in fact, the only jewelry she wears appears to be a brooch at her throat. Her dress, however, is quite fine, with circular embellishments on the bodice, a dark, possibly velvet collar and a shirtwaist featuring what looks like lace or cutwork. Even her skirt has matching fabric attached in a pattern of three bands.

In both photographs, Ida poses with an ornate, carved chair with a floral cushion. In one of the photographs, her gaze is direct; in the other, she looks slightly away from the camera. Her posture is excellent, her expression serious, and she looks older than her age. It’s clear that she made an effort to look her best for the occasion, whatever it may have been.



SOURCES
1 Heitz-Möll Family Tree; Frick Family; privately held [personal information withheld].
2 Heitz-Möll Family Tree; Frick Family; privately held [personal information withheld].
3 Maureen A. Taylor, Family Photo Detective (Cincinnati: Family Tree Books, 2013), 112.