Tag Archives: unidentified

A Dashing Young Man

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Scanned Image 27

Unidentified photograph of a young man, ca. 1860-1866; digital image 2012, privately held by Melanie Frick, 2013.

“Compliments of C.F.P.” is inscribed in pencil on the back of this unidentified photograph of a young man. He has a high forehead and wavy hair; there is a firm set to his jaw and his dark eyes hold a steady gaze. His jacket is buttoned to the top, revealing a high collar and a snippet of a checked necktie underneath.

This photograph is an example of what was known as a carte de visite, or CDV, most popular between 1860 and 1866. Cartes de visite were paper photographs mounted on cardboard, affordable and easy to transport. They fell out of favor when larger cabinet card photographs became available.1

The young man’s hairstyle, longish and brushed back from his forehead, reflects this era.2 His knotted necktie may be fastened with a stickpin and reveals a bit of checked fabric just above the collar of his coat. His coat does not seem particularly fine; it is loose-fitting and looks to be made of wool.

Scanned Image 27 backAlthough unidentified, this carte de visite comes from an album that traces to the family of Jesse M. Smith of Henry County, Iowa, although other families may be included. This particular photograph offers no clues as to where it was taken, although many of the photographs in the album are from Iowa with a few from Kansas and Missouri.3 It’s anyone’s guess as to who C.F.P. might have been.

My estimate for the age of the young man is perhaps between twenty-five and thirty; his high hairline suggests to me that he is probably not much younger. His apparent age suggests a date of birth between approximately 1830 and 1840, depending on the year that the photograph was taken. Perhaps he was unmarried when he inscribed this photograph and presented it to a young lady he admired; of course, it could also have been given to a family member or friend. Did C.F.P. serve in the Civil War? Although he is not in uniform in this photograph, that doesn’t mean that it might not have been taken as a memento for his loved ones before he left home.

What are your thoughts about the elusive C.F.P.?


SOURCES
1 Georgen Gilliam Charnes, “Cartes-de-Visite: The First Pocket Photographs,” Nantucket Historical Association, 2004 (http://www.nha.org/history/keepinghistory/KHcdv.htm : accessed 1 November 2013).
2 Maureen Taylor, Fashionable Folks: Hairstyles 1840-1900 (United States: Picture Perfect Press, 2009), 53.
3 Jesse M. and Elizabeth Jane (Baker) Smith Album, ca. 1860-1920; privately held by Melanie Frick, 2013.

Identifying Photographs of the Civil War Era

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Antique photographs can come with unique distinctions that suggest that they were made during the Civil War era. Neither of these photographs has been identified, but both come from a photograph album, purchased at an antique shop, with ties to the family of Jesse M. and Elizabeth Jane (Baker) Smith of Mount Pleasant, Henry County, Iowa.1 Both provide excellent examples of the ways in which Civil War era photographs might be marked or otherwise adorned.

Unidentified tintype of woman and child, ca. 1865; digital image 2012, privately held by Melanie Frick, 2013.

Unidentified tintype of woman and child, ca. 1865; digital image 2012, privately held by Melanie Frick, 2013.

The first image in the album, which features a woman and, presumably, her young daughter, is set inside an embossed white paper mat with a patriotic pattern of stars. An embossed notation on the side of this mat states that it was patented 7 March 1865, suggesting that the tintype was made shortly thereafter.2 The woman has crimped her hair at the temples in a manner that was popular in the latter half of the decade,3 and the young girl, perhaps six years old, wears her hair long and loosely curled. While the mother is corseted and in a fine gown supported by a hoop skirt, the daughter is dressed in a much looser – and more comfortable – style, though she also wears jewelry as well as what appears to be flowers or decorative combs in her hair.

The name “Laura” is handwritten in pencil near the top of the mat. Unfortunately, the only Laura that I could find directly related to the couple associated with this album was not born until 1867.4 Perhaps there was another Laura in the extended family, or perhaps it was labeled as such simply because it came from “Laura’s side of the family,” as opposed to, for example, the family of her spouse. Regardless, the relationship between the mother and daughter pictured here, dressed in their best during a tumultuous period in American history, can still be appreciated today.

Tax revenue stamp of unidentified photograph of couple, 1866; digital image 2012, privately held by Melanie Frick, 2013.

Tax revenue stamp of unidentified photograph of couple, 1866; digital image 2012, privately held by Melanie Frick, 2013.

Unidentified photograph of couple, 1866; digital image 2012, privately held by Melanie Frick, 2013.

Unidentified photograph of couple, 1866; digital image 2012, privately held by Melanie Frick, 2013.

Another photograph with a distinct Civil War flavor comes with a helpful clue.  The couple in the photograph above appears impeccably dressed. The bearded man wears a typically roomy sack-cut coat,5 accented with a dark plaid vest, and the woman, whose hair is held back with combs in a style that was common at the time,6 wears a solid-colored gown with elegant puffed sleeves and buttons adorning the bodice. Affixed to the back of this carte de visite is an orange two-cent stamp. This stamp, which features George Washington, was a tax revenue stamp. It is canceled with the photographer’s initials, along with the date: 1866. As it turns out, this photograph was taxed near the tail end of the period during which photographs were subject to a tax; the period of taxation lasted only from 1 September 1864 to 1 August 1866.7

This photograph has tack holes in each of its four corners, suggesting that it was put on display at one time, tacked up perhaps on the wall of a home or on a writing desk. Evidently, in the years before it made its way into an album and was subsequently forgotten, this photograph was important enough to someone that he or she wished to look upon it every day. Today, we are left to wonder what became of the couple pictured within, and why they chose to have their photograph taken on this day in 1866, not long after the conclusion of the Civil War.

What signs of the Civil War era have you spotted in a photograph?


SOURCES
1 Jesse M. and Elizabeth Jane (Baker) Smith Album, ca. 1860-1920; privately held by Melanie Frick, 2013.
2 “What Do You Know About Tintypes?,” Ohio Historical Society Collections Blog, 5 August 2011 (http://ohiohistory.wordpress.com/2011/08/05/what-do-you-know-about-tintypes/ : accessed 13 September 2013).
3 Joan Severa, Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900 (Kent, Ohio: Kent State University Press), 206.
4 1870 U.S. census, Henry County, Iowa, population schedule, Center, p. 14, dwelling 109, family 109, Laura B. Smith; NARA microfilm publication M593, roll 395.
5 Severa, Dressed for the Photographer, 209.
6 Severa, Dressed for the Photographer, 206.
7 Maureen A. Taylor, Family Photo Detective (Cincinnati: Family Tree Books, 2013), 54-55.