Tag Archives: vintage photograph

The Lutz Sisters

HattieJuliaAnnaMelanieLutz

Sisters Hedwig, Julia, Anna, and Melanie Lutz, ca. 1900, Minnesota; digital image 2010, privately held by Melanie Frick, 2013.

Julia, Anna Marie, Hedwig “Hattie” Eulalie, and Melanie Veronica Lutz were the daughters of French and Polish immigrants, respectively Joseph and Hedwig (Cichos) Lutz of Minnesota Lake, Faribault County, Minnesota.1 By the time that this photograph was taken, circa 1900, Joseph had passed away, and Hedwig had remarried and given birth to five additional children.2 Her eldest daughters must have been close, however, as they chose to have a photograph taken of just the four of them.

Standing with her arms protectively behind her seated sisters is Hattie, who would have turned nineteen in the year 1900.3 Although her position suggests that she was the eldest, she was not; it’s possible that she may have been the tallest, however, if the photographer were to have posed the sisters based on height. She is also the only sister wearing a dress with a white collar, offering contrast; the other sisters seem to be wearing their good black dresses. None of the dresses, however, are alike, each having unique decorative pleats, panels, and/or bows. The collars are extremely high, perhaps an example of what would have been known as “officer’s” collars.4

Julia is seated at right, her dark eyes serious. She would have turned twenty-four in 1900, and was the eldest of the sisters.5 Seated at the center is Anna, who would have turned twenty-two that year.6 Melanie, the youngest, is at left; she would have celebrated her sixteenth birthday in 1900.7

At this time, all four sisters had left their mother’s household.8 Julia was married with two young children at home; she and her husband kept a hotel,9 and Anna was employed as a servant there.10 Hattie lived with her elderly maternal grandparents.11 As Melanie cannot be located in the 1900 U.S. census, she may have been away at school, where she trained to become a teacher. Later in life, Julia, Anna, Hattie, and Melanie made their homes in four different communities across three different states, but their sisterly bond is apparent in this photograph of them as young women.



SOURCES
1 “Minnesota, Marriages, 1849-1950,” index, FamilySearch (https://familysearch.org : accessed 15 Nov 2013), Joseph Lutz and Hedwig Joice, 19 April 1875. Cichos was likely transcribed incorrectly as Joice.
2 1900 U.S. census, Faribault County, Minnesota, population schedule, Minnesota Lake, enumeration district (ED) 92, sheet 10-B, p. 4834 (penned), dwelling 178, family 178, Hattie Rendfleisch; digital image, Ancestry.com (http://www.ancestry.com : accessed 15 November 2013), citing National Archives microfilm publication T623, roll 763. Rendfleisch was a variation of Rindfleisch.
3 “Minnesota, Births and Christenings, 1840-1980,” index, FamilySearch (https://familysearch.org : accessed 15 Nov 2013), Hedwig Lutz, 06 September 1881.
4 Joan Severa, Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900 (Kent, Ohio: Kent State University Press, 1995), 526.
5 “Minnesota, Births and Christenings, 1840-1980,” index, FamilySearch (https://familysearch.org : accessed 15 Nov 2013), Julia Lutz, 13 December 1876.
6 “Minnesota, Births and Christenings, 1840-1980,” index, FamilySearch (https://familysearch.org : accessed 15 Nov 2013), Anna Lutz, 12 May 1878.
7 “Minnesota, Births and Christenings, 1840-1980,” index, FamilySearch (https://familysearch.org : accessed 15 Nov 2013), Melanie Veronica Lutz, 28 May 1884.
8 1900 U.S. census, Faribault Co., Minn., pop. sch., Minnesota Lake, ED 92, sheet 10-B, p. 4834, dwell. 178, fam. 178, Hattie Rendfleisch.
9 1900 U.S. census, Nobles County, Minnesota, population schedule, Adrian, enumeration district (ED) 209, sheet 2-B, p. 43 (penned), dwelling 29, family 29, Julia McColm; digital image, Ancestry.com (http://www.ancestry.com : accessed 15 November 2013), citing National Archives microfilm publication T623, roll 778.
10 1900 U.S. census, Nobles County, Minnesota, population schedule, Adrian, enumeration district (ED) 209, sheet 2-B, p. 43 (penned), dwelling 29, family 29, Anna M. Lutz; digital image, Ancestry.com (http://www.ancestry.com : accessed 15 November 2013), citing National Archives microfilm publication T623, roll 778.
11 1900 U.S. census, Faribault County, Minnesota, population schedule, Minnesota Lake, enumeration district (ED) 92, sheet 5-A, p. 4719 (penned), dwelling 73, family 73, Hattie Lutz; digital image, Ancestry.com (http://www.ancestry.com : accessed 15 November 2013), citing National Archives microfilm publication T623, roll 763.

Ada Zingara, Sideshow Performer

Tucked into the slots of an antique album filled with photographs of an unidentified family of Kaukauna, Outagamie County, Wisconsin, are several photographs of sideshow performers.1

Ada Zingara photograph, ca. 1890s, Chicago, Illinois; digital image 2013, privately held by Melanie Frick, 2013.

Ada Zingara photograph, ca. 1890s, Chicago, Illinois; digital image 2013, privately held by Melanie Frick, 2013.

The name Ada Zingara is handwritten on the back of this photograph, which features a woman posing in a rather scandalous fashion. Her dress is short, and she stands with one leg elevated on a bench as she pretends to fasten her pointy-toed shoe. Her stockings feature bold zigzags, and her dress is patterned as well. The bodice is trimmed with lace and loose cap sleeves, and the border of her lace-trimmed petticoat is also visible. She wears earrings, and a large, bejeweled crucifix lies at her throat. What is most striking is her hairstyle: Ada’s hair is teased into an Afro.

A search for Ada Zingara informed me that, in the early 1900s, she was a snake charmer. A 1906 sideshow advertisement specified that she had a den of “Five Big Anacondas.”2 However, I wondered why she was not posing with snakes in this picture, which was surely printed for publicity. And why did she have such a dramatic hairstyle?

Further research informed me that the circus great P.T. Barnum began exhibiting women with this hairstyle in the 1865, calling them Circassian Beauties. According to reports of the time, the women of the mountainous region near the Black Sea were particularly beautiful, and were prized by Turkish sultans who kidnapped them for their harems. Barnum capitalized on this sensational story, seeking first to purchase one of these slave girls abroad, and eventually settling for a local girl with teased hair (which was not an accurate Circassian style) who was merely marketed as a Circassian.3 Eventually, as the popularity of the Circassian Beauties waned, the women adopted other acts, including routines as equally alluring snake charmers.4

A close look at her face reveals that Ada Zingara is not very young. There are lines around her eyes, which gaze warmly at the camera. Her lips part in a faint smile, showing her teeth – and a possible missing tooth. Why did Ada turn to sideshows, and what became of her? What was her real name?

What I find especially interesting is the fact that this photograph occupies the very first page of the album – the page usually reserved for an important family member or the primary subject of the album.4 Of course, it’s possible that the photographs were rearranged in the years that this album made its way from its original home to the antique store. Whatever the case, it should be noted that this is not the only photograph of a circus or sideshow performer located in the album. The family of Kaukauna, Wisconsin must have enjoyed these attractions!

Did your ancestors collect photographs of circus or sideshow performers?



SOURCES
1 Unidentified Album of a Kaukauna, Wisconsin Family, ca. 1870-1900; privately held by Melanie Frick, 2013.
2 “Ada Zingara,” The Billboard, 14 April 1906, digital image, Old Fulton Post Cards (http://www.fultonhistory.com : accessed 27 September 2013).
3 Wikipedia (http://www.wikipedia.org), “Circassian Beauties,” rev. 18:32, 3 July 2013.
4 Katherine H. Adams and Michael L. Keene, Women of the American Circus, 1880-1940 (Jefferson, North Carolina: McFarland and Company, 2012), 142; digital images, Google Books (http://books.google.com : accessed 27 September 2013).
5 “’Reading’ A Family Photo Album,” Photo Detective with Maureen A. Taylor, 22 September 2013 (http://blog.familytreemagazine.com/photodetectiveblog/ : accessed 27 September 2013).

 

 

Vintage Swimwear

This is a fun photograph that I thought I would share before the summer completely slips away. This snapshot was labeled on the back, and, years ago, I was also able to hear its story from my late great-grandmother, Fern Lavonne (Thoma) Adam of Sioux City, Woodbury County, Iowa. Well, more than its story, I remember her laughing about her bathing suit! The photograph was taken in 1924, at the river near Scribner, Dodge County, Nebraska.

Fern Lavonne (Thoma) Adam photograph, 1924; digital image 2010, privately held by Melanie Frick, 2013.

Fern Lavonne (Thoma) Adam photograph, 1924, Scribner, Nebraska; digital image 2010, privately held by Melanie Frick, 2013.

Fern lived in Scribner, where her father opened a grocery store, for a few years in the early 1920s. She remembered attending dances there, as well as learning to drive. Her father gave her a lesson immediately when she remarked that she would like to learn, and the next day, when she asked for another lesson, he told her to go ahead on her own!1 Apparently, Fern also enjoyed taking advantage of the opportunity to swim in the Elkhorn River during her short time in Scribner. She is pictured here at center; at left is Lucille Romberg, and at right is Helen Kellner. These young ladies must have been good friends in the summer of 1924, when Fern would have been sixteen years old.

In order to learn more about vintage bathing suits, I turned to Threaded, the Smithsonian’s blog about fashion history. From there I learned that a company by the name of Jantzen devised a “swimming suit” made of wool in 1915, and that by 1921, the name had stuck.2 My great-grandmother and her friends appear to be wearing typical knitted wool swimsuits of the era, comprised of long, sleeveless, v-necked tunics, fitted shorts, and, in my great-grandmother’s case, knee high stockings, rolled at the top. The girls wear their hair inside knit swimming caps, the one on the left being slightly more elaborate with a small brim. They all squint in the sun and lean together for the photograph, happy and relaxed on a summer’s day.

Have you come across any photographs featuring early styles of swimwear?



SOURCES
1 Fern Lavonne (Thoma) Adam, conversations with the author, 2001.
2 “The Swimsuit Series, Part 1: A History of Women’s Suits,” Threaded, 22 June 2012 (http://blogs.smithsonianmag.com/threaded/2012/06/the-swimsuit-series-part-1-a-history-of-womens-suits/ : accessed 6 September 2013).