Tag Archives: Deadwood

Feeding the Black Hills Gold Rush

“In the early 1880 days of the Gold Rush in the Black Hills Fred [Nielsen] and his brother-in-law Christian Callesen bought eggs in the Yankton area, packed them in cases, placed the egg cases in a wagon box surrounded by oats, hauled them to the Hills and sold them at a good price to the hungry miners.” This bit of family lore was recorded by Nielsen descendent Harold Jorgensen and printed in Yankton County History roughly one hundred years after the fact.

The Black Hills Gold Rush began in 1874, the same year that a then ten-year-old Fred Nielsen set sail from Denmark to America with his parents and five siblings, his two oldest brothers having ventured to the Midwest the year prior. The family settled on one hundred and sixty acres of farmland in what is now Yankton County, South Dakota.

Fred turned sixteen in 1880, the same year that Christian “Chris” Callesen, at the age of twenty-five, married Fred’s nineteen-year-old sister Karen Kirstine “Stena” Nielsen. The Black Hills Gold Rush, its epicenter in Deadwood, had peaked in the late 1870s, and the surge of those panning for gold waned considerably by 1880 due in part to a smallpox outbreak and a destructive fire. Apparently, however, there was still enough activity—and “hungry miners,” as the story goes—to make it worthwhile for two young men to drive a wagon nearly 400 miles from Yankton to Deadwood on what may have been more than one occasion.

Charcoal drawing based on photograph of Fred Nielsen (1864-1918), Deadwood, Dakota Territory, ca. 1888-1890, artist unknown, drawing date unknown; digital image 2010, privately held by B.A., 2020.

Indeed, there is evidence that Fred was in Deadwood at least twice, if not more often. He was photographed there on two occasions, the first time circa 1884-86 and the second several years later. Local histories indicate that Christian and his wife homesteaded near St. Onge, a stone’s throw from Deadwood, in 1884. Perhaps Fred spent time in the area with his sister and brother-in-law, as St. Onge hosted a sizable Danish community. In 1889, the Little Dane Church, which still stands today, was built on the southeast corner of Christian’s land.

Were Fred and Christian still making a profit selling eggs and other farm products well into the 1880s, or did Fred find other reasons to make repeated visits to Deadwood? If he was not there on business, Deadwood would at the very least have provided a dramatic change of scenery for a young farmer from a quieter corner of Dakota Territory.

Fred married neighbor Christine Schmidt, a fellow Danish immigrant, in 1890, and it is unknown whether he ever traveled to Deadwood after their marriage. He did travel as far as Colorado with his brother-in-law in 1911, and family lore states that at some point he acquired land near Phillip, South Dakota. Bureau of Land Management records show that a Fred Nielsen purchased one hundred and sixty acres of land in Stanley County, not far from Phillip, in 1910, but further research is necessary to determine whether this was the same Fred Nielsen and, if so, why he might have purchased land there.

Several of Fred’s siblings made return visits to Denmark as adults, but as for Fred, he seems to have been drawn instead to the west.

Copyright © 2020 Melanie Frick. All Rights Reserved.

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A Deadwood Mystery

After years of wondering about an unidentified photograph from Deadwood in my family’s collection, a second photograph of the same couple turned up in the collection of an extended family member. In my mind, while just one might have come from, say, a neighbor who had gone off to the Wild West and wished to be remembered to those back in southeastern South Dakota, where this branch of my family lived, two suggest that this couple may actually have had a closer connection to my family. Were they friends, or were they relatives?

Unidentified_Deadwood_Couple_01

Unidentified couple, Deadwood or Lead City, Dakota Territory, ca. 1884-1890; digital image 2013, privately held by [personal information withheld], 2014.

Unidentified_Deadwood_Couple_02In the first photograph, a couple poses for what could be a wedding portrait, as the woman arranges her hands in such a way that a ring is visible along with two bracelets. The man has a distinctive high forehead, large ears, and a long beard. He wears a dark three-piece suit and a plaid tie. The woman has a broad face and light-colored eyes; her hair is curled at the temples and arranged in a looped braid at the back, a style that became popular in the 1870s.1 She is corseted and wears what looks to be a heavy gown, with a high collar and bustle. A single row of buttons adorns her bodice, and matching patterned material is visible at her collar, cuffs, and on a unique side panel of her skirt.

According to the information stamped on this cabinet card, it was made at Excelsior Studios, located either in Deadwood or Lead City, Dakota. Deadwood and Lead were founded in 1876 during the Black Hills Gold Rush, and the place name “Dakota” suggests that the portrait was made before (or immediately after) South Dakota achieved statehood in 1889. Thus, an initial time span for this photograph, as well as the one to follow, can be set at 1876-1890.

I’ve been unable to turn up anything about the Excelsior Studio online, although the small “K” emblem made me wonder whether any early photographers in Deadwood had the last initial “K.” As it turns out, a strikingly similar style of cabinet card can be attributed to Deadwood photographer Charles Kersting; perhaps he operated his business under the name Excelsior for a period of time. Online sources suggest that he may have arrived in Deadwood in 1884, at which time he joined forces with photographer George W. Scott.2

Unidentified_Deadwood_Family

Unidentified family, Deadwood, Dakota Territory, ca. 1883-1887; digital image 2010, privately held by Melanie Frick, 2014.

The second photograph seems to feature the same couple, although at a different time; the woman appears more slender and has styled her hair differently, and, of course, she and her husband both wear different clothes. This time, a young girl joins them in the photograph, most certainly their daughter. She looks to be about five or six years old; while standing next to her seated father, she places her hand over her his and leans back against his shoulder. Her dropped waist dress falls to her knees with a pleated skirt, belt, and a fancy collar. Her mother again wears a row of buttons on her bodice, and her draped overskirt over knife pleats was of a style popular in the mid-1880s.3 In many ways, her dress is similar in style to that of the previous photograph.

This cabinet card, printed with a pink pattern, bears the name of the photographer Geo. W. Scott. Biographical information suggests that Scott was in operation in Deadwood for four years, beginning in 1883.4 It was in 1884 that Charles Kersting allegedly took over a branch of his business.5

Initially, I wanted to date the photograph of the couple alone before that of the couple with their child; however, the dates of operation of the Deadwood photography studios suggest that the reverse may also have been true. Perhaps it was not a wedding portrait after all! In any case, for a child of five or six to have been photographed by Scott in Deadwood between the years of 1883 and 1887, a birth date of somewhere between 1877 and 1881 can be assumed. This provides an essential clue.

The next step is to learn whether any of my direct ancestors had kin who lived in or near Deadwood. If a couple had a daughter between roughly 1877 and 1881, who happened to be the only child in their household at some point between 1883 and 1887, then that would make them strong contenders for the individuals featured in these photographs. Whoever they may be, I imagine that they must have had interesting stories to tell about life in Deadwood’s first decade!

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