Tag Archives: South Dakota

One of Dakota’s Pioneer Mothers

There can be no question that Christina Marie (Schmidt) Nelson was a strong and capable woman.

Born in Skrydstrup, Gram, Haderslev, Denmark on 11 October 1868, to Jens Madsen Schmidt and Anne Bramsen, Christina immigrated to America with her parents and older sister when she was just twenty months of age. A dugout on a homestead in Dakota Territory was her first home in America; it was from this homestead in Bon Homme County that she spent long hours tending her family’s cattle, experienced devastating prairie fires and blizzards, witnessed interactions with displaced Native Americans, and even once encountered General George Armstrong Custer when he stopped for a drink of water. She was fortunate enough to attend a one-room log schoolhouse through eighth grade, and, in 1889, when she was twenty-one, she married her neighbor and fellow Danish immigrant Frederick Nelson.

Over the course of the next twenty years, Christina gave birth to nine healthy children: Anna Sophie (1891), Julia Marie (1892), Ole James (1894), Andrea Mathilda (1896), Louise Christine (1899), Helena Margaret (1900), Mary Magdalene (1904), Frederick Andrew (1908), and Myron Alvin (1910). Education was of apparent importance to Christina and Fred, as he was known; although their oldest son attended school only through eighth grade, destined to become a farmer like his parents before him, their younger sons and daughters all attended school at least until the age of sixteen. They even saw to it that their four youngest daughters had the opportunity to attend a “normal school” in nearby Springfield, South Dakota, where they received the necessary training to become schoolteachers.

The Fred and Christina Nelson Family, Yankton County, South Dakota, 1912; digital image 2011, privately held by Lori Dickman. Back row, from left: Julia, Anna, Ole, and Andrea Nelson. Front row, from left: Mary, Louise, Christina with Myron, Fred with Fred Jr., and Helena Nelson.

A formal portrait of the Nelson family was taken in July of 1912, likely in Yankton, which was not far from the family’s home in Lakeport; the girls sport bare forearms for the season, their fabric colors light and featuring gingham, stripes, and lace. Christina, while dressed in a dark gown, wears a white collar and whimsical crocheted flowers at her throat. As to the occasion for the photograph, it was not a milestone anniversary year—Christina and Fred would have celebrated their twentieth anniversary the previous spring. However, Christina perhaps realized that, at forty-three, her childbearing years were behind her and now was the time to have a portrait taken of the entire family all together. Furthermore, as her eldest daughter had married in March of 1912, having her first child leave the nest might also have sparked sentimentality and a wish to document the fact that, at least for a short while, all nine Nelson children had been under one roof.

Christina and Fred would go on to celebrate their twenty-fifth anniversary in 1916, but two years later, a matter of weeks after her fiftieth birthday, Christina would be dealt several harsh blows in short succession. First, Spanish Influenza hit the household, and then, in a turn of events that shocked both the family and their wider community, she lost Fred to suicide, and, one month later, daughter Andrea to undetermined medical circumstances.

Christina persevered. She faced another trial when her father died the following spring, but it was a blessing that her eldest son was home from his service in the Great War and able to help manage the family farm while she continued to raise her two youngest sons. She continued to live on the farm with support from her sons well into her old age; even in 1950, when she was eighty-two, the census reported that she was still “keeping house” for her three bachelor sons. It was at this farmhouse that her children and grandchildren frequently gathered to celebrate birthdays and holidays.

Christina died on 23 January 1961 at the age of ninety-two and is buried alongside her husband and three of their nine children at the Elm Grove Cemetery in Yankton County, South Dakota. A brief biography included in a local history book several years prior had noted, “Mrs. Nelson is well-known by her many friends and relatives as a person who always has a warm welcome hand extended to all those who call at her home. Even today, at the age of eighty-five, she is active with her household duties and retains an active interest in what is going on about her. She is cordial and sympathetic with the many young people who come her way. She is truly one of Dakota’s pioneer mothers who still looks ahead and enjoys her home and family.”

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Feeding the Black Hills Gold Rush

The Olsens in the Old Country

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Niels Olsen and Juliane Sophie Hennike spent the first twenty-two years of their married life in their native Denmark before venturing together to America.

They had married on 30 July 1852 in Haraldsted, Soro, Denmark. A nineteenth-century stereoscope image of what appears to be the church at Haraldsted was handed down through descendants of their second son, along with a stereoscope image that preserves the view of the village itself.

Haraldsted, Soro, Denmark, 1800s; digital image 2019, privately held by Stevan Worley.

The couple resided in Osted, ten miles or so northeast of Haraldsted, in the early years of their marriage; this is where their sons Ole and Johan Henrik were born and baptized in 1853 and 1855. Niels, Juliane, and Ole appeared in the 1855 census here with two servants in their household, prior to the birth of Johan Henrik. Niels was a farmer.

The family relocated to the Orslevvester district five miles southwest of Haraldsted, near the village of Gyrstinge, within a year or two. Here their children Karen Sophia Dorthea, Karen Kirstine, Sesilie Johanne, Frederik, Anders Christian, Jens Christian, and Anders Julius were born and baptized between the years 1857 and 1871.

Haraldsted, Soro, Denmark, 1800s; digital image 2019, privately held by Stevan Worley.

The 1860 and 1870 Danish census records raise questions about the family’s living situation. In 1860, Niels and Juliane, by then the parents of three children, lived only with their youngest child at the time, daughter Karen Sophie Dorthea, age three. Where were their sons Ole and Johan Henrik? Ole, age seven, lived in Osted with his maternal grandmother. Johan Henrik’s location is less clear, but a census index indicates that a “Jens” Nielsen, age four, born in Osted, was a “foster child” in Jyrstup, located roughly between Osted and Orslevvester.

Although it seems odd that the Ole and Johan would not have lived in their parents’ household, it should be noted that Juliane was in the late stages of pregnancy in early 1860. One could speculate that she might have been unwell and therefore her older children were placed with relatives or friends for a temporary period.

There was no census in 1865 to give an idea of the family’s household structure, but in 1870, Niels and Juliane continued to reside in Orslevvester with five of their seven surviving children: Johan Henrik, Karen Kristine, Sesilie Johanne, Frederick, and Jens Christian.

Olsen Family Home, Soro, Denmark, 1800s; digital image 2019, privately held by Stevan Worley.

Their oldest son Ole, sixteen, and oldest daughter Karen Sophie Dorthea, twelve, resided in a household in Haraldsted where they were recorded as foster children. Three servants, ages sixteen, eighteen, and twenty also resided in the household, so it is notable that their statuses differed from those of Ole and Dorthea; however, the sixteen-year-old servant was female, and one possible theory is that males might not have been considered to be grown men and therefore actual servants until an older age. It seems plausible that the brother and sister may have worked in exchange for room and board, if not yet for a wage; whether they had left their family home for work experience or due to space constraints or poverty is unknown.

In any case, a nineteenth-century stereoscope image of what is believed to have been the family home, presumably in Orslevvester, has also been preserved by descendants. It appears to be an example of a u-shaped housebarn, a practical structure that connects the barn and the house and allows for protection from the elements in a cold climate.

In 1873, sons Ole and Johan Henrik immigrated to America, and in 1874, Niels, Juliane, and their six younger children, namely Karen Sophie Dorthea, Karen Kristine, Sesilie Johanne, Frederick, Jens Christian, and Anders Julius, followed. Their youngest child, Helena, would be born in Dakota Territory in 1875.

Family lore indicates that Niels purchased his farm near present-day Yankton, South Dakota for five hundred dollars; perhaps the sale of the family home in Denmark allowed him to make this cash purchase of good farmland at a time when many other immigrants opted to homestead for a nominal filing fee.

Niels and Juliane made a comfortable life for themselves and their children in America—and it can easily be imagined that they may have gathered around a stereoscope from time to time to view these very images and reminisce about their old home in Denmark.

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The Young Musicians

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At first, Leonard and Helen might have seemed like an unlikely pairing.

Leonard John Christian Wiese was a city boy through and through, born and raised in Chicago. Helena Margaret Nelson, on the other hand, was a farm girl from rural southeastern South Dakota. Chicago’s population in 1920 numbered over two and half million, while the largest town within the vicinity of Helen’s family’s farm had a population of only five thousand.

Leonard Wiese and Helen Nelson, South Dakota, circa 1922-23; digital image 2014, privately held by B.S., 2019.

Their heritages also differed. Leonard’s parents had immigrated to America from Germany as children, while Helen’s parents had immigrated to America from Denmark.¹ However, despite different familial origins and native languages, Leonard and Helen had a surprising amount in common.

Both were born in the year 1900, and both were younger children in large families—Leonard the last of five, and Helen the sixth of nine.²

Leonard Wiese and Helen Nelson, South Dakota, circa 1922-23; digital image 2014, privately held by B.S., 2019.

Both lost their fathers as teenagers. Leonard’s father, Fred, died when Leonard was thirteen years old, and perhaps because of the need to help support his mother, Leonard entered the workforce after completing the eighth grade.³ Helen’s father, also named Fred, died when she was seventeen; shortly thereafter, she began teaching country school.⁴

Both saw older brothers serve in the First World War.⁵

Both lost older sisters to tragic circumstances in the year 1918.⁶

Both were raised as members of the Lutheran church.⁷

Perhaps their most significant commonality, however, was their shared love of music. Leonard was a talented violinist, while Helen played the piano, and their talents made them popular entertainers within their respective social circles.⁸

Leonard Wiese and Helen Nelson, South Dakota, circa 1922-23; digital image 2014, privately held by B.S., 2019.

As the story goes, as a young man, Leonard worked at the docks in Chicago while his older brother Oliver worked for the railroad. Oliver obtained tickets west so that he and Leonard could seek seasonal farm work, and the industrious brothers wound up in Yankton County, South Dakota.⁹ Leonard, of course, had brought along his violin, and it has been surmised that one way or another, word spread that a young man with musical talent was in the area. Wouldn’t he get along swell with a certain young pianist? Before long, the Wiese brothers had made the acquaintance of the Nelson sisters, among them Helen and her older sister Louise.¹⁰

Oliver and Louise married in Yankton on 01 June 1922, and after a courtship documented in a few surviving snapshots, which offer a glimpse of light-hearted moments shared together, Leonard and Helen married in Chicago on 05 January 1924.¹¹

Happily, music remained a shared passion throughout their twenty-three years of marriage, and it was their delight to engage their two daughters in their very own Wiese Family Band.¹²

A Pioneer Cemetery

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On a flat patch of land off a dirt road in southeastern South Dakota, not far from the predominantly Czech community of Tabor, a small Danish pioneer cemetery can be found.

Elm Grove Cemetery, Yankton County, South Dakota photograph, 2019; privately held by Melanie Frick, 2019.

Elm Grove Cemetery is said to date to the summer of 1875. The first child of Danish immigrants Christian and Mathilde Elise (Bramsen) Olsen, Marie Evengiline, was born that June, but lived only two weeks.¹ Devastated at her loss, her father fashioned a small wooden casket and stained it pink with the juice of wild raspberries, while her mother lined it with fabric cut from her best dress.²

Baby Marie Evengiline was buried on a corner of the Olsen homestead and a small cedar tree was dug from a ravine and planted at her grave. As the story goes, it was soon trampled by the cattle who roamed freely as they grazed. Mathilde implored Christian to fence their daughter’s grave, and he obliged, thus designating an acre on a corner of their property as a cemetery.³ It was incorporated as Maple Grove Cemetery in 1907—not as Cedar Grove, as one might have thought—and today is known as Elm Grove Cemetery.⁴

No stone marks the grave of Marie Evengiline, nor the graves of up to a shocking seven of her infant siblings.⁵ The graves of her maternal grandparents, Erik and Inger Marie (Hansen) Bramsen, who died within a decade thereafter, are also unmarked. However, numerous headstones exist at the graves of pioneer kin who were buried there in the years to come, among them her parents Christian and Mathilde.

Christian Olsen (1845-1909) was said to have immigrated from Denmark to Dakota Territory in 1866 at the age of twenty-one, while Mathilde Elise Bramsen (1842-1935) immigrated alongside her parents in 1872 at the age of thirty.⁶ They married circa 1874 and together farmed the one hundred and sixty acres in Yankton County that Christian had acquired under the Morrill Act—a farm conveniently located within walking distance of the homestead of Mathilde’s sister and brother-in-law, and boasting a house made of homemade clay and straw bricks that Christian had built himself.⁷ The names of six of their supposed ten children are known: Marie Evengiline, Edward, Mary, Anna, Henry, and Cecilia.⁸ Only two of their children, Edward and Anna, survived to adulthood, and they, too, are buried at Elm Grove Cemetery.

Today, the Elm Grove Cemetery is shady and well-tended, with a chain link fence duly keeping any rogue livestock at bay. Although it is bordered on two sides by homes, on the others it faces windswept plains almost as far as the eye can see—a view perhaps not entirely unlike that of nearly one hundred and fifty years ago.

Prairie Teacher

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“Oh, what a work we teachers have in the molding of the lives of those little ones,” wrote Andrea Nelson in her diary on an autumn evening in 1918.¹ At the age of twenty-one, she had just begun her third term as a teacher in southeastern South Dakota.² She took great delight in her fourteen students, who, she noted, were “in general a bright talkative set.”³ This was her first term at Prairie School District 9, located in Mission Hill, a rural community near the town of Yankton.⁴

Andrea Mathilda Nelson was born on 31 December 1896, the daughter of Danish immigrants Fred and Christina (Schmidt) Nelson.⁵ Raised on a farm just west of Yankton, Andrea was the fourth child of nine.⁶ After completing her grammar school education at a one-room schoolhouse, Andrea, along with her sisters, succeeded in receiving teaching certification from the Southern State Normal School located in nearby Springfield, South Dakota.⁷ Andrea taught first in Turkey Valley, then at the Dewey School near Lesterville, and finally in Mission Hill, where she was conveniently able to board with her elder sister, Anna, and her husband, Jim.⁸

With the freedom provided by a small class size and a rural school district, Andrea enjoyed and recorded many memorable moments with her students: she took them on noontime walks to the nearby molasses mill, joined in on games at recess (“Pump Pump Pull Away” and “Ruth and Jacob”), and received invitations to visit them at their homes.⁹ One evening, she wrote, “Shortly before recess I excused Tim and Royal in order that they might go chase Ficke’s cows out of the nearby cornfield. They came back at recess with two watermelons which Royal brought from home and which we feasted on together.”¹⁰

Andrea Nelson at a schoolhouse with her students, Yankton County, South Dakota, ca. 1916-1918; digital image 2012, privately held by Melanie Frick, 2018.

Fond of the outdoors herself, she also recognized its importance to children, even offering an early dismissal one “very fine day.”¹¹ On another occasion, she wrote, “A very beautiful calm autumnal day. But nine at school. We had our drawing lesson outside. At recess the children earnestly requested me to permit them to recite and study outside the remaining hour and fifteen minutes. I consented after which they gleefully clapped their hands. The shade of one tree served as study room while that of another nearby took the place of recitation room. The children did not abuse their privilege. As a result we all fully enjoyed school in the fine October out of doors.”¹²

The next day, still taking advantage of the autumn weather, she wrote, “After school I hied me to the open. There I helped Jim pick potatoes for about half an hour. He said that I broke a schoolmam’s reputation in taking up such work after a day at school. I replied that he could count on me for doing things out of the ordinary for those in our profession.”¹³

In late September, Andrea wrote, “Think Spanish Influenza is going about the neighborhood. Only eleven at school.”¹⁴ Before long, the number of students in her class dwindled still further as the influenza continued to spread. In early October, just a month into the school year, Andrea recorded in her diary, “Only six at school again. […] I hardly feel that I’m earning my $4.25 per day these days.”¹⁵

Tragically, it would be only a matter of time before Andrea was struck with influenza herself, and the final pages of her diary are left blank. Exactly one month after the unexpected death of her father, Andrea died on 28 November 1918 while a patient at St. Bernard’s Hospital in Council Bluffs, Pottawattamie County, Iowa.¹⁶ Her younger sister, Helena, a student at Springfield Normal School, took over her teaching position at Prairie School District 9 and completed the sorrow-filled school term with Andrea’s students.¹⁷

Copyright © 2018 Melanie Frick. All Rights Reserved.
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Finding Homes for Two Orphan Photographs

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On a recent visit to western South Dakota, I flipped through a stack of nineteenth century photographs at an antique shop in scenic Hill City. I had my eye out for any with names inscribed on the backs so that I might have a chance to reunite them with their families of origin, but unfortunately, only two in a stack of a dozen or more were fortunate enough to have been labeled.

“May Durkee” read a photograph of a young woman pictured by heaping bouquets of flowers, while the other inscription on a photograph of a young girl caused me to do a double-take: “Emily J. Frick.” Frick is my married name and not terribly common—and although my husband is the immigrant in his family and we know of no Frick relations in the United States, there was no way I could pass up the opportunity to research Emily. Young May made it out of the shop with me as well.

Emily J. Frick, Brookings, Dakota Territory, ca. 1889-90; privately held by K.F., 2018.

The photograph of Emily J. Frick held several clues to assist with determining its date. While cabinet cards such as this were popular throughout the late nineteenth century, the location of the studio was stamped “Brookings, Dak.” As South Dakota achieved statehood on 02 November 1889, the reference to Dakota Territory suggests that the photograph was likely taken no later than 1890, should the photographer have held onto any outdated stock.¹ The name of the photographer, O.G. Oyloe, is also revealing, as They Captured the Moment: Dakota’s Photographers 1853-1920 indicates that Oyloe began practicing his trade in Brookings in 1889.²

Emily appears to be in her early teens in this photograph, with fashionably frizzled bangs and her hair pulled back into a braid. Her dress features a high, pleated neckline and sleeves that puff above the shoulders, a popular look in 1890 fashion plates.³

Ultimately, it did not take long to identify Emily J. Frick thanks to online records. Young Emily was, as it turned out, Emily Josephine Frick (1876-1918), the daughter of Thomas and Barbara (Fisher) Frick.⁴ Born in Pennsylvania, Emily spent spent a number of years in Brookings, Dakota Territory when she was a child.⁵ Emily studied to become a teacher—records show that she taught a kindergarten class at Chicago’s Calhoun School as of 1899—and in 1909 she married Clarence Estes.⁶ Emily died of Spanish influenza at the age of forty-two, a victim of the Influenza Epidemic of 1918.⁷ She left no children.⁸

Emily did, however, have a number of nieces and nephews, and I was able to connect with one of these descendants via a Public Member Tree on Ancestry.com.⁹ Then, her photograph made its way into an envelope and was sent to its new home in Minnesota.

Mary “May” Durkee, Alexandria, South Dakota, ca. 1892-93; privately held by S.B., 2018.

May Durkee’s photograph held a number of clues as to its origins as well. Stamped with the location Alexandria, South Dakota, this photograph was most definitely taken after 1889, once Dakota Territory was no more. According to the Collector’s Guide to 19th Century Traveling Photographers, the photographer, M.B. Barton, was believed to have operated in Alexandria circa 1887-94.¹⁰ A record search soon turned up Mary “May” Durkee (1877-1972) of Alexandria, the daughter of Franklin and Mary (Wakeman) Durkee, as the most likely candidate for this photograph.¹¹

Although at first glance it seemed to me as though May was posing by a memorial of some kind, the words on the apparent certificate propped among the flowers at her feet read “To Whom It May Concern,” with the header labeled “City of Alexandria,” which does not give the feeling of a tribute. Could this have been an educational certificate?

According to a biography held in the South Dakota State Archive’s Pioneer Daughters files, May, who was born in Wisconsin and came to Dakota Territory at the age of two, completed the one-year high school course offered at Alexandria’s brick schoolhouse in 1892 when she was fifteen years old.¹² She had to wait until her sixteenth birthday before she was eligible to begin teaching in the local country schools.¹³ This photograph might have been taken in honor of one of these occasions. May, a young woman with a fair complexion, wears what was likely a white dress with puffed sleeves that rise above the shoulder and are gathered above the elbow. A corsage is at the center of her chest and what appears to be a small book dangles along the side of her skirt, held in place by a sash affixed at her waist.

May taught school for five years until her marriage to John H. Dobson in 1898.¹⁴ The couple remained in Alexandria and had four children: Burdette James, Merrial Bertha, who died as an infant, Henry Bird, and Florence Louise Dobson.¹⁵ They enjoyed seventy years of marriage; John died in 1968, and May in 1972.¹⁶ A number of years before her death, she was celebrated as Alexandria’s longest continuous resident and was even crowned “queen” during a local anniversary event.¹⁷

After tracing May’s descendants through obituaries, I contacted a surviving granddaughter who remembered her well and was glad to have May’s photograph mailed to her home in Oregon.¹⁸ Thus, happy endings were found for both orphan photographs of these young Dakota pioneers.

A South Dakota Marriage

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Fred Nielson was twenty-six years old and Christina Marie Schmidt was twenty-one when they married on 08 March 1890 before the Justice of the Peace in Yankton, Yankton County, South Dakota.¹ Both Fred and Christina had emigrated from Denmark as children, and for more than fifteen years their families had been neighbors as they farmed less than a mile from each other in eastern Bon Homme and western Yankton counties in southeastern South Dakota.² Whether the couple first became acquainted as children or young adults is not known, but their first known photograph together, their wedding portrait, survives today.

In the photograph, Christina stands in a heavy skirt and bodice, perhaps wool, with contrasting velvet panels on the high collar, cuffs, and bodice. Her hair is styled without the frizzled bangs that she wore a few years prior, and is instead swept smoothly off her forehead. A horizontal pin at her throat appears to match the pin worn in the earlier photograph. She rests one hand on the shoulder of her husband, who is seated. Fred wears a three-piece suit that is rather tightly fitted, as well as a white collared shirt and tie. A watch chain affixed to his vest is also visible. Fred’s hair has been combed and parted neatly, and he sports a small mustache.

Fred and Christina (Schmidt) Nielsen, South Dakota, 1890; digital image 2010, privately held by Melanie Frick, 2018.

Posed before a painted backdrop of a pastoral scene that doesn’t quite reach the floor, the husband and wife look directly at the camera. Both sturdy, fair-haired Scandinavians, their expressions are serious as was typical in portraits of this era. Although this image is a photocopy, it can be assumed that the original portrait was a cabinet card, a style of photograph mounted on card stock emblazoned with the photographer’s emblem that was popular at the end of the nineteenth century.

Fred and Christina (Schmidt) Nielson would go on to welcome nine children into their family and would live to celebrate twenty-eight years of marriage together.³

The Adam Brothers

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When five of the six living sons of Timothée and Marguerite (Chicoine) Adam gathered in the Midwest circa 1913, it was deemed an occasion worthy of a photograph.¹ From left are pictured brothers Louis (1848-1927), Peter (1852-1936), Joseph (1850-1926), Prosper (1867-1943), and Timothy Adam (1846-1919). Although the twenty-one year span in age of these brothers is impressive, in fact, twenty-seven years passed between the births of their eldest sibling and the youngest, who arrived when his mother was fifty years old. At least fourteen children were born in total, with all but the youngest born in Quebec. All got their start in life in the cotton mills of Indian Orchard, Hampden County, Massachusetts, which had lured the Adam family from rural Quebec to America.²

Brothers Louis, Peter, Joseph, Prosper, and Timothy Adam(s), ca. 1913; digital image 2010, privately held by Melanie Frick, 2018. Image courtesy of Dorothy Bouchard.

Timothy, at right, likely resided in Jefferson, Union County, South Dakota at the time this picture was taken,³ not far from Peter, second from left, and Prosper, second from right, who had both settled in Sioux City, Woodbury County, Iowa.⁴ Joseph, at center, had apparently traveled from his home in Ponca City, Kay County, Oklahoma to reunite with his brothers, as well as, undoubtedly, his twin sister, who lived in Jefferson.⁵ Louis, the one brother to have remained in Hampden County, Massachusetts, traveled the greatest distance for this reunion.⁶ The only living Adam brother not pictured here was Euclid John (1856-1940), who spent his adult life in Southbridge, Worcester County, Massachusetts.⁷ Whether he lost touch with his brothers or was simply unable to make the trip to visit them at the time that this photograph was taken is not known.

The Adam brothers, some of whom adopted the surname Adams in addition to Anglicized versions of their given names, held a variety of trades between them. Census records indicate that after leaving the cotton mills, some went on to become carpenters, barbers, homesteaders, clerks, pool hall operators, and hotel-keepers, among other occupations. All married, and all but Joseph had children of their own.

This photograph is a photocopy of what was said to be a real photo postcard, a format designed to be easily sent by mail to friends or relatives. Like the only known (or suspected) photograph of the mother of the Adam brothers, the original is believed to have been lost.⁸ Despite the poor quality of this photocopy, it is apparent that the brothers have dressed sharply, with their hair neatly combed and several in ties, although this was apparently not such a formal occasion that they opted to wear jackets. It is also plausible that it was quite hot, if their reunion took place in the summer months, and the gentlemen may well have opted to be as comfortable as possible. Several appear to wear sleeve garters, arm bands that helped to adjust the length of one’s sleeves.⁹ While the men’s appearances are distinct from one another, particularly given their disparate ages, similarly prominent noses—and, when visible, even hands—help to link them convincingly as brothers.

Homestead Genealogy

Tag Archives: South Dakota

One of Dakota’s Pioneer Mothers

Feeding the Black Hills Gold Rush

The Olsens in the Old Country

The Young Musicians

A Pioneer Cemetery

Prairie Teacher

Finding Homes for Two Orphan Photographs

A South Dakota Marriage

The Adam Brothers

The Nelson Family at Home