Tag Archives: immigrants

Tombstone Tuesday: Lorenz Stoehr (1790-1876)

Lorenz Stoehr was born in or near Weißenstadt, Upper Franconia, Bavaria, Germany, a village located a mere twenty miles from what is now the Czech Republic.1 Weißenstadt was named “white city” as a nod to its landmark white church, and is situated on the shore of a lake in the Fichtel Mountains.2 From the inscription on Lorenz’s tombstone, his birthdate can be calculated to 04 September 1790.3

As a young man, Lorenz served approximately six years in the military during the Napoleonic Wars, first under Napoleon and then, as allegiances shifted, with the Germans.4 As the story goes, he was eventually wounded on a march to Paris and was then discharged and granted a pension.5 Lorenz was trained as a master tailor, a trade he pursued during the winter months as the summer months were consumed with his labors as a farmer.6 Amazingly, several mementos of these chapters of his life survive today: buttons from his military uniform, his discharge and pension paperwork which granted him the amount of five Gulden each month for the remainder of his life, and an 1828 purchase agreement for approximately one and a half acres of land in the Weißenstadt area.7

Lorenz was married to Barbara Feicht in 1820 or shortly thereafter, and with her had the following known children: Margaretha B. (1824-1897), Johann Wolfgang (1826-1883), Eva Margaretha (1831-1906), George Adam (1833-1915), and Johann Friedrich (1842-circa 1857).8

In 1853, at the age of sixty-two, Lorenz arrived in New York harbor aboard the Solon.9 Traveling with him were his wife and youngest daughter; his sons had made their way to America the year prior, disembarking in New Orleans before making their way up the Mississippi River to the community of Garnavillo, Clayton County, Iowa.10

Find A Grave, Inc., Find A Grave, digital image (www.findagrave.com : accessed 26 January 2019), photograph, Lorenz Stoehr (1790-1876), Memorial No. 69221239, Elgin City Cemetery, Elgin, Fayette County, Iowa; photograph by Tammy Miller, 2015.

Lorenz was widowed in 1855 and spent the years thereafter at the homes of his children.11 In 1856, he lived with his daughter Eva and her husband Hiram Hammond on their farm in Clayton County; in 1860 and 1870, he could be found at the home of his son George, a jeweler and dry goods merchant, first in Clayton County and then in neighboring Fayette County, Iowa.12

Lorenz Stoehr died at the age of eighty-six on 07 December 1876, likely at the home of his son in Elgin, Fayette County, Iowa.13 He is buried at the Elgin City Cemetery where an upright tombstone marks his grave.14

Copyright © 2019 Melanie Frick. All Rights Reserved.
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A Woman on Horseback

Just two years apart in age, Ellen Eskeline Walsted and Jens Jacob Walsted were the youngest of eight children born in Denmark to Christian Jens Jacobsen Walsted and his wife Johanne Marie Larsdatter.1 Ellen and James, as he was known for most of his life, were the last of their surviving siblings to immigrate to America, with Ellen arriving in New York aboard the aptly-named New York in 1900 and James arriving in Boston aboard the Saxonia in 1902.2

James Walsted, Juanita Hansen, unknown, Clifton Walsted, and Ellen (Walsted) Hansen, Iowa or Oklahoma, ca. 1907; digital image privately held by Paul Hansen, 2018. Provenance of the original unknown.

The siblings soon reconnected in Sioux City, Woodbury County, Iowa, and were by all accounts close; James witnessed his sister’s wedding to fellow Dane Hans John Hansen in 1904, and later joined the Hansens on their move to New Hampton, Chickasaw County, Iowa.3 Eventually, Ellen and Hans moved on to Oklahoma, while James returned to Sioux City and married there to Kathrine Christensen, also a native of Denmark.4 

Although numerous photographs survive of Ellen, who was once noted to be “a lady of fine appearance” in a local newspaper, until this photograph was uncovered, only two snapshots, both taken in his later years, were known to exist of James.5

In this photograph, dated circa 1907-08, James and Ellen may both have been in their late twenties; Ellen would celebrate her thirtieth birthday in 1908, while James would turn thirty in 1910.6 Pictured, from left, are a young man in a bowler hat with a pipe between his teeth, believed to be James Walsted; a girl in a knee-length dress, believed to be Juanita Hansen, stepdaughter of Ellen; an unidentified boy perched atop a cellar door, perhaps a nephew of Ellen and James; a small boy standing before a horse, identified as Clifton Hansen, son of Ellen; and on horseback, an elegant young woman identified as Ellen (Walsted) Hansen.7

Ellen sits with poise on horseback, a hat with a broad upturned brim atop her head. While not a small hat, it is of a more modest size than those of the Merry Widow style which exploded in popularity after one was worn by actress Lily Elsie in 1907’s The Merry Widow.8 Ellen’s bodice appears to be pigeon-breasted, her skirt reaching her natural waist, and long riding gloves cover her hands and forearms.9 Horseback riding may have been a skill that she acquired in America, rather than during her upbringing in Denmark, where her father alternately worked as a baker and shoemaker.10

The provenance of the original photograph is currently unknown, and until it is recovered and the reverse checked for any possible inscriptions, questions about it remain. Where were James and Ellen when this photograph was taken? The group poses casually outside of a house with wood siding and a stone foundation; a cellar door and the corner of a porch are also visible. Two narrow windows, one open, offer a glimpse of fluttery ruffled curtains. It is possible James might have visited Ellen in Oklahoma, where she spent several years; alternately, it might have been taken at the Iowa homes of their sisters Jensine (Walsted) Winther or Anna (Walsted) Johnsen, both of whom had young sons who could be candidates for the little fellow seated on the cellar door.11 Regardless of the location, however, this informal outdoor photograph gives more insight into the personalities of these immigrant siblings than most studio portrait ever could.

Copyright © 2018 Melanie Frick. All Rights Reserved.
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Tombstone Tuesday: Hiram and Eva Margaret (Stoehr) Hammond

Hiram and Eva Margaret (Stoehr) Hammond were a couple who, at the surface, appeared to have little in common.

Hiram, who was said to have been born on 26 February 1813 in Ohio, first appeared in public record when he purchased land in Jackson County, Iowa Territory in the spring of 1845.1 Presumed to be in his early thirties at this time, Hiram spent the next nine years honing his skills as a farmer before purchasing one hundred and sixty acres of land near Volga, Clayton County, Iowa.2 Although there are speculative connections potentially linking Hiram to the family of War of 1812 veteran Jonathan Hammond and his wife Lovisa Herrington, no connections have yet been verified.

Eva Margaret Stoehr, on the other hand, settled in Clayton County, Iowa alongside her parents and siblings.3 She was said to have been born on 02 March 1831 in Weißenstadt, Wunsiedel, Bavaria, the daughter of Lorenz Stoehr, a master tailor who was a veteran of the Napoleonic wars, and his wife Barbara Feicht.4 She immigrated to America aboard the Solon, arriving in New York in 1853, and settled alongside many from her home village in northeastern Iowa.5

Find A Grave, Inc., Find A Grave, digital image (http://www.findagrave.com : accessed 13 July 2014), photograph, Hiram H. Hammond (1813-1896), Memorial No. 84463650, and Eva M. (Stoehr) Hammond (1831-1906), Memorial No. 84463738, Garnavillo Community Cemetery, Garnavillo, Clayton County, Iowa; photograph by Ken Johnson, 2016. Note: The third headstone belongs to daughter Amelia Hammond (1857-1872).

When the couple married in Garnavillo, Clayton County, Iowa on 02 December 1854, Eva was likely just twenty-three years old while Hiram was forty-one.6 Although they were married by a German Lutheran minister, Hiram, unlike Eva, was neither German nor Lutheran.7 Eva was literate and came from a family of skilled craftsmen; Hiram was a farmer and could not write his own name.8 The couple went on to have the following known children: Amelia (1857-1872), Matilda J. (1859-1947), Louisa Barbara (1861-1936), John William (1865-1931), and George H. Hammond (1867-1934).9 In addition to losing their daughter Amelia when she was fourteen years old, it is believed that the couple lost two additional children at young ages.10

The Hammond family farmed near the community of Volga in Clayton County for thirty years, eventually moving to Henderson Prairie near Clermont, Fayette County, Iowa in early 1885.11 They saw success as farmers, and by 1893, as Hiram entered his eighties, he and Eva decided to retire to the nearby town of Postville, Allamakee County, Iowa.12

Despite their vast difference in age, language, and culture, these Iowa pioneers celebrated more than forty years of marriage together. Hiram H. Hammond died on 23 August 1896 in Postville, Allamakee County, Iowa, and Eva Margaret (Stoehr) Hammond died there a decade later on 01 October 1906, both having suffered cerebral hemorrhages.13 They are buried side by side in the Garnavillo Community Cemetery in Garnavillo, Clayton County, Iowa.14

Copyright © 2018 Melanie Frick. All Rights Reserved.
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A South Dakota Marriage

Fred Nielson was twenty-six years old and Christina Marie Schmidt was twenty-one when they married on 08 March 1890 before the Justice of the Peace in Yankton, Yankton County, South Dakota.1 Both Fred and Christina had emigrated from Denmark as children, and for more than fifteen years their families had been neighbors as they farmed less than a mile from each other in eastern Bon Homme and western Yankton counties in southeastern South Dakota.2 Whether the couple first became acquainted as children or young adults is not known, but their first known photograph together, their wedding portrait, survives today.

In the photograph, Christina stands in a heavy skirt and bodice, perhaps wool, with contrasting velvet panels on the high collar, cuffs, and bodice. Her hair is styled without the frizzled bangs that she wore a few years prior, and is instead swept smoothly off her forehead. A horizontal pin at her throat appears to match the pin worn in the earlier photograph. She rests one hand on the shoulder of her husband, who is seated. Fred wears a three-piece suit that is rather tightly fitted, as well as a white collared shirt and tie. A watch chain affixed to his vest is also visible. Fred’s hair has been combed and parted neatly, and he sports a small mustache.

Fred and Christina (Schmidt) Nielsen, South Dakota, 1890; digital image 2010, privately held by Melanie Frick, 2018.

Posed before a painted backdrop of a pastoral scene that doesn’t quite reach the floor, the husband and wife look directly at the camera. Both sturdy, fair-haired Scandinavians, their expressions are serious as was typical in portraits of this era. Although this image is a photocopy, it can be assumed that the original portrait was a cabinet card, a style of photograph mounted on card stock emblazoned with the photographer’s emblem that was popular at the end of the nineteenth century.

Fred and Christina (Schmidt) Nielson would go on to welcome nine children into their family and would live to celebrate twenty-eight years of marriage together.3

Copyright © 2018 Melanie Frick. All Rights Reserved.
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The Adam Brothers

When five of the six living sons of Timothée and Marguerite (Chicoine) Adam gathered in the Midwest circa 1913, it was deemed an occasion worthy of a photograph.1 From left are pictured brothers Louis (1848-1927), Peter (1852-1936), Joseph (1850-1926), Prosper (1867-1943), and Timothy Adam (1846-1919). Although the twenty-one year span in age of these brothers is impressive, in fact, twenty-seven years passed between the births of their eldest sibling and the youngest, who arrived when his mother was fifty years old. At least fourteen children were born in total, with all but the youngest born in Quebec. All got their start in life in the cotton mills of Indian Orchard, Hampden County, Massachusetts, which had lured the Adam family from rural Quebec to America.2

Brothers Louis, Peter, Joseph, Prosper, and Timothy Adam(s), ca. 1913; digital image 2010, privately held by Melanie Frick, 2018. Image courtesy of Dorothy Bouchard.

Timothy, at right, likely resided in Jefferson, Union County, South Dakota at the time this picture was taken,3 not far from Peter, second from left, and Prosper, second from right, who had both settled in Sioux City, Woodbury County, Iowa.4 Joseph, at center, had apparently traveled from his home in Ponca City, Kay County, Oklahoma to reunite with his brothers, as well as, undoubtedly, his twin sister, who lived in Jefferson.5 Louis, the one brother to have remained in Hampden County, Massachusetts, traveled the greatest distance for this reunion.6 The only living Adam brother not pictured here was Euclid John (1856-1940), who spent his adult life in Southbridge, Worcester County, Massachusetts.7 Whether he lost touch with his brothers or was simply unable to make the trip to visit them at the time that this photograph was taken is not known.

The Adam brothers, some of whom adopted the surname Adams in addition to Anglicized versions of their given names, held a variety of trades between them. Census records indicate that after leaving the cotton mills, some went on to become carpenters, barbers, homesteaders, clerks, pool hall operators, and hotel-keepers, among other occupations. All married, and all but Joseph had children of their own.

This photograph is a photocopy of what was said to be a real photo postcard, a format designed to be easily sent by mail to friends or relatives. Like the only known (or suspected) photograph of the mother of the Adam brothers, the original is believed to have been lost.8 Despite the poor quality of this photocopy, it is apparent that the brothers have dressed sharply, with their hair neatly combed and several in ties, although this was apparently not such a formal occasion that they opted to wear jackets. It is also plausible that it was quite hot, if their reunion took place in the summer months, and the gentlemen may well have opted to be as comfortable as possible. Several appear to wear sleeve garters, arm bands that helped to adjust the length of one’s sleeves.9 While the men’s appearances are distinct from one another, particularly given their disparate ages, similarly prominent noses—and, when visible, even hands—help to link them convincingly as brothers.

Copyright © 2018 Melanie Frick. All Rights Reserved.
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Johann Wiese and a DNA Connection

Johann Wiese of Mecklenburg-Vorpommern, Germany was sixty-five years old and a widower when he boarded the Borussia in Hamburg on 31 October 1868.1 He traveled with Caroline Wiese, twenty, as well as with a young man whom Caroline would marry within months of their arrival in America.2 All named Wendisch Baggendorf, a landed estate located near the town of Grimmen in Mecklenburg-Vorpommern, as their place of origin.3

Interestingly, one day later, several other Wieses departed from Hamburg: Carl Wiese, twenty-three, with his wife, both also of Wendisch Baggendorf, and Joachim Wiese, twenty-seven, with his wife and child.4 They resided in Barkow, an estate located near modern-day Klevenow, which is only a few miles from Wendisch Baggendorf.5 Both Carl and Joachim and their families traveled aboard the Electric, which, like the Borussia, was bound for New York.6

“Kirche in Kirche Baggendorf,” 2009, Kirche Baggendorf (near Wendisch Baggendorf), Mecklenburg-Vorpommern, Germany; Wikimedia Commons, copyright Klugschnacker.

I might not have noted the connection between the Wieses who left Hamburg for New York one day apart if it were not for spotting several interesting member matches within the AncestryDNA results for my grandmother, the great-granddaughter of Joachim Wiese. Each of these matches named Caroline Wiese as a direct ancestor, which led me to the ship manifest that revealed that Caroline had traveled with a Johann Wiese of an appropriate age to be her father; appropriate, too, that a father would accompany his yet-unmarried daughter overseas.

Caroline, as stated, married shortly after her arrival in America; she and Gustav Beth were wed on 10 January 1869 in Dundee, Kane County, Illinois.7 Carl and Joachim Wiese, on the other hand, both settled in Chicago’s 15th Ward with their families.8 While Johann Wiese has not been located in the 1870 or 1880 censuses, and does not appear in the households of Caroline, Carl, or Joachim, it is possible he was simply not counted in the census if, for example, he was en route to the home of another child and was missed by the census enumerator, or if a neighbor provided information about the family to the census enumerator and failed to mention him.

Cook County, Illinois, death certificate no. 28339, John Wiese; Cook County Clerk, Chicago.

Ultimately, it appears Johann Wiese spent the final fifteen years of his life in Illinois, although thus far little is known about how he spent those years.9 Similarly, little is known about his life in Pomerania; records note only that he was a laborer, and as serfdom was abolished in the area in 1820, he was perhaps contracted to work on an estate in Wendisch Baggendorf or the vicinity.10

According to his death record, he died on 02 August 1883 at 144 Newton Street in Chicago at the age of eighty.11 His death was attributed to old age.12 Intriguingly, Carl Wiese resided at this address, further strengthening the potential of a connection beyond their shared Wendisch Baggendorf origins and their emigration one day apart.13 It seems logical to assume that Johann Wiese might have been cared for in his last days by his son.

Johann Wiese is buried in Chicago’s Graceland Cemetery; today, while the location of his grave has been identified, it is unmarked.14

Copyright © 2017 Melanie Frick. All Rights Reserved.
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The Nelson Family at Home

The leaves had already fallen from the trees surrounding the modest two-story farmhouse belonging to Fred and Christina (Schmidt) Nelson when this photograph was taken in late 1904.1 Situated near the scenic bluffs along the Missouri River west of Yankton, Yankton County, South Dakota, the house was said to have had a creek running through the corner of the kitchen as a source of fresh water.2 Its simple, symmetric design featured a center door and four front windows on its clapboard walls, with a chimney appearing above the gable roof on one side. The house was likely painted white with a trim of a different color around the windows and door. Many trees surrounded the house, which was situated on an incline; the remote, wooded landscape seems to lend truth to family lore of the children fearing howling wolves (or coyotes?) as they walked to and from the nearest country school.3

Fred and Christina (Schmidt) Nelson and Family, Yankton County, South Dakota, 1904; digital image 2017, privately held by Melanie Frick, 2017.

Fred and Christina, both of whom immigrated from Denmark as children, married in 1890.4 Fred, at left, was forty years old in late 1904; he wears a loose-fitting sack suit and hat and sports a mustache.5 At center stands son Ole, ten, beside Christina, thirty-five.6 She holds baby Mary, who was born in February of that year.7 While Ole is clearly dressed for the outdoors in a coat and cap, Christina, like her daughters, wears no jacket or shawl. Her simple buttoned bodice and unadorned skirt appear comfortable for a nursing mother as well as household duties.

The open door behind Christina suggests that perhaps she and the girls had just stepped outside for the photograph. In a cluster at right stand Anna, thirteen; Helena, nearly or barely four; Louise, five; Julia, twelve; and Andrea, nearly eight.8 All of the girls wear their hair neatly parted and plaited down the back; it was said that the sisters would line up each morning, oldest to youngest, to braid each other’s hair.9 They wear dresses that, with the exception of the youngest’s, fall below the knees, and all wear dark stockings. Their dresses have high necks and full bishop sleeves; a few additional details can be distinguished, such as the plaid fabric of Andrea’s dress and the belt at Anna’s waist.10

The occasion for this photograph is not known, although perhaps it was taken by an itinerant photographer who made stops at rural homes throughout the Midwest. Unlike formal studio portraits of the era, this photograph is as much about the place as the people, allowing a glimpse into the lives of the Nelson family that would otherwise be missed.

Copyright © 2017 Melanie Frick. All Rights Reserved.
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