Tag Archives: immigrants

Hedwig

It has been said that Hedwig had “fiery red hair.”1

However, by the time color photographs became mainstream, her hair was white.

And, in fact, no color photographs are known to exist of Hedwig at all.

Hedwig (Cichos) Lutz Rindfleisch was born in 1855 in what is now Nowa Wieś Książęca, Poland, but what at the time was the village of Neudorf in Silesia.2 She immigrated to the United States at the age of eighteen,3 settling in southern Minnesota, and at nineteen, she married fellow immigrant Joseph Lutz.4 They had five children together, although the eldest did not survive childhood.5 After Joseph’s death, Hedwig remarried to Albert Rindfleisch and gave birth to five more children.6 She raised her nine surviving children in Minnesota Lake, Faribault County, Minnesota, and spent many years as a single mother, supporting her children as a seamstress and tending her small farmstead where she processed and preserved much of their own food.7

There are no widely known family stories about Hedwig having a stereotypical temper to match her red hair, although she was said to have been stern. A tale that perhaps comes the closest suggests that when her first husband, a butcher, would give generous gifts of meat to new immigrants in their community, she would chide him and say that the newcomers would not even have a pot to cook with.8

Back: Anna (Lutz) Catlin, Melanie (Lutz) Adam, Elsie (Rindfleisch) Beyer, Edward Rindfleisch, and Front: Keith Beyer, Hedwig (Cichos) Lutz Rindfleisch, and Albert Rindfleisch, Danville, Blue Earth County, Minnesota, circa 1937-39; digital image 2010, privately held by Melanie Frick, 2019.

Two of the three known photographs of Hedwig were taken on the same summer day at her daughter’s farm in Danville, Blue Earth County, Minnesota. The year is uncertain, but based on the presumed ages of the children in the photograph, was likely circa 1937-39. Although this gathering may not have included all of her surviving children and grandchildren, four of her children and three of her grandchildren are pictured.

Back: Anna (Lutz) Catlin, Permelia Adam, Melanie (Lutz) Adam, Adelheid (Brandt) Rindfleisch, Elsie (Rindfleisch) Beyer, Mary (Grover) Rindfleisch, Alfred Beyer, Helen (?) Catlin, Vance Catlin, Edward Rindfleisch, Henry Adam, and Front: Keith Beyer, Hedwig (Cichos) Lutz Rindfleisch, and Albert Rindfleisch, Danville, Blue Earth County, Minnesota, circa 1937-39; digital image 2010, privately held by Melanie Frick, 2019.

Surrounded by family, Hedwig, who had celebrated her eightieth birthday in 1936, looks relaxed and content, with a wisp of hair blowing in the breeze and her mouth pressed into a smile. She wears a printed dress in a light color, suitable for a summer day, and squints in the sun.

Hedwig (Cichos) Lutz Rindfleisch, Minnesota, circa 1940; digital image 2019, from a photocopy courtesy of Armond Sonnek, 2002. Provenance of the original unknown.

The only other known photograph of Hedwig shows her seated at the kitchen table in the home she shared with her eldest son and his family during her later years. Wearing a loose patterned house dress, her hair pulled back, she clasps the fingers of one hand in the other as she appears to gaze peacefully towards a window.

It was at this table that she was said to have sat to churn butter and clean vegetables, an industrious soul still determined to contribute to the household as much as possible.9

Copyright © 2019 Melanie Frick. All Rights Reserved.

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Pomeranian Roots

For decades, the precise origins of German-speaking immigrants Joachim and Sophia (Cammin) Wiese of Chicago, Cook County, Illinois were forgotten.1

There were clues: a scrawled place name on the Hamburg Passagierlisten, an intriguing DNA connection.2

Finally, a dedicated on-site researcher uncovered several records that definitively placed Joachim and Sophia within the arms of their families in the neighboring villages of Wendisch Baggendorf and Barkow, located in present-day Vorpommern-Rügen, Mecklenburg-Vorpommern, Germany.3

Joachim, christened Joachim Christian Friedrich Wiese, was born on 20 October 1840 in Wendisch Baggendorf, the son of laborer Johann Adam Wiese and Beate Elisabeth Hanna Schult.4

Sophia, christened Catharina Sophia Joachime Cammin, was born on 07 November 1842 in Barkow, the daughter of laborer Johann Christian Cammin and Christina Dorothea Ahrends.5

Joachim and Sophia married on 03 April 1864 in Grimmen, a village of perhaps a couple thousand inhabitants located a short distance from the state-owned estate at Barkow where Joachim was employed as a laborer.6 They were married by Carl Bindemann at St-Marien-Kirche, an early Gothic construction that dates to the thirteenth century.7

“St.-Marien-Kirche in Grimmen,” 2007, Grimmen, Mecklenburg-Vorpommern, Germany; Wikimedia Commons, copyright Erell.

The couple’s first child, christened Carl Christian Friedrich Wiese, was born later that year on 17 September 1864.8 He did not survive childhood.9 Their second child, christened Friedrich Carl Christian Wiese, was born on 22 August 1866.10

When they prepared to board the Electric at Hamburg in November of 1868, however, Joachim and Sophia stated that their two-year-old son, nicknamed Fritz, was only nine months of age.11 It seems plausible that a free or reduced rate of passage might have been granted infants under one, and if the Wiese family did not happen to encounter a sympathetic ticketing agent, it can easily be imagined that Sophia might have bundled Fritz in a shawl close to her chest to conceal his true age until the family was safely aboard the ship.

Joachim and Sophia (Cammin) Wiese, ca. 1889, Chicago, Cook, Illinois; digital image ca. 2000.

Whatever the case, the Wiese family arrived in New York the day after Christmas 1868, after enduring a nearly eight week crossing during which time Sophia marked her twenty-sixth birthday.12 Among their fellow steerage passengers were several relatives, including Sophia’s widowed mother; Joachim’s widowed father came aboard a different ship.13 They soon made their way to Chicago, where they joined a wave of immigrants like themselves who contributed to the city’s unprecedented expansion.

It was there, during the years of regrowth that followed the Chicago Fire of 1871, that Joachim would work his way up to become a tailor, while Sophia would raise six children.14 And it was in Chicago that the Wiese family would face new struggles and new opportunities as they adapted to an urban environment vastly different from their rural homeland near the Baltic Sea.

Copyright © 2019 Melanie Frick. All Rights Reserved.

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Tombstone Tuesday: Lorenz Stoehr (1790-1876)

Lorenz Stoehr was born in or near Weißenstadt, Upper Franconia, Bavaria, Germany, a village located a mere twenty miles from what is now the Czech Republic.1 Weißenstadt was named “white city” as a nod to its landmark white church, and is situated on the shore of a lake in the Fichtel Mountains.2 From the inscription on Lorenz’s tombstone, his birthdate can be calculated to 04 September 1790.3

As a young man, Lorenz served approximately six years in the military during the Napoleonic Wars, first under Napoleon and then, as allegiances shifted, with the Germans.4 As the story goes, he was eventually wounded on a march to Paris and was then discharged and granted a pension.5 Lorenz was trained as a master tailor, a trade he pursued during the winter months as the summer months were consumed with his labors as a farmer.6 Amazingly, several mementos of these chapters of his life survive today: buttons from his military uniform, his discharge and pension paperwork which granted him the amount of five Gulden each month for the remainder of his life, and an 1828 purchase agreement for approximately one and a half acres of land in the Weißenstadt area.7

Lorenz was married to Barbara Feicht in 1820 or shortly thereafter, and with her had the following known children: Margaretha B. (1824-1897), Johann Wolfgang (1826-1883), Eva Margaretha (1831-1906), George Adam (1833-1915), and Johann Friedrich (1842-circa 1857).8

In 1853, at the age of sixty-two, Lorenz arrived in New York harbor aboard the Solon.9 Traveling with him were his wife and youngest daughter; his sons had made their way to America the year prior, disembarking in New Orleans before making their way up the Mississippi River to the community of Garnavillo, Clayton County, Iowa.10

Find A Grave, Inc., Find A Grave, digital image (www.findagrave.com : accessed 26 January 2019), photograph, Lorenz Stoehr (1790-1876), Memorial No. 69221239, Elgin City Cemetery, Elgin, Fayette County, Iowa; photograph by Tammy Miller, 2015.

Lorenz was widowed in 1855 and spent the years thereafter at the homes of his children.11 In 1856, he lived with his daughter Eva and her husband Hiram Hammond on their farm in Clayton County; in 1860 and 1870, he could be found at the home of his son George, a jeweler and dry goods merchant, first in Clayton County and then in neighboring Fayette County, Iowa.12

Lorenz Stoehr died at the age of eighty-six on 07 December 1876, likely at the home of his son in Elgin, Fayette County, Iowa.13 He is buried at the Elgin City Cemetery where an upright tombstone marks his grave.14

Copyright © 2019 Melanie Frick. All Rights Reserved.
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A Woman on Horseback

Just two years apart in age, Ellen Eskeline Walsted and Jens Jacob Walsted were the youngest of eight children born in Denmark to Christian Jens Jacobsen Walsted and his wife Johanne Marie Larsdatter.1 Ellen and James, as he was known for most of his life, were the last of their surviving siblings to immigrate to America, with Ellen arriving in New York aboard the aptly-named New York in 1900 and James arriving in Boston aboard the Saxonia in 1902.2

James Walsted, Juanita Hansen, unknown, Clifton Walsted, and Ellen (Walsted) Hansen, Iowa or Oklahoma, ca. 1907; digital image privately held by Paul Hansen, 2018. Provenance of the original unknown.

The siblings soon reconnected in Sioux City, Woodbury County, Iowa, and were by all accounts close; James witnessed his sister’s wedding to fellow Dane Hans John Hansen in 1904, and later joined the Hansens on their move to New Hampton, Chickasaw County, Iowa.3 Eventually, Ellen and Hans moved on to Oklahoma, while James returned to Sioux City and married there to Kathrine Christensen, also a native of Denmark.4 

Although numerous photographs survive of Ellen, who was once noted to be “a lady of fine appearance” in a local newspaper, until this photograph was uncovered, only two snapshots, both taken in his later years, were known to exist of James.5

In this photograph, dated circa 1907-08, James and Ellen may both have been in their late twenties; Ellen would celebrate her thirtieth birthday in 1908, while James would turn thirty in 1910.6 Pictured, from left, are a young man in a bowler hat with a pipe between his teeth, believed to be James Walsted; a girl in a knee-length dress, believed to be Juanita Hansen, stepdaughter of Ellen; an unidentified boy perched atop a cellar door, perhaps a nephew of Ellen and James; a small boy standing before a horse, identified as Clifton Hansen, son of Ellen; and on horseback, an elegant young woman identified as Ellen (Walsted) Hansen.7

Ellen sits with poise on horseback, a hat with a broad upturned brim atop her head. While not a small hat, it is of a more modest size than those of the Merry Widow style which exploded in popularity after one was worn by actress Lily Elsie in 1907’s The Merry Widow.8 Ellen’s bodice appears to be pigeon-breasted, her skirt reaching her natural waist, and long riding gloves cover her hands and forearms.9 Horseback riding may have been a skill that she acquired in America, rather than during her upbringing in Denmark, where her father alternately worked as a baker and shoemaker.10

The provenance of the original photograph is currently unknown, and until it is recovered and the reverse checked for any possible inscriptions, questions about it remain. Where were James and Ellen when this photograph was taken? The group poses casually outside of a house with wood siding and a stone foundation; a cellar door and the corner of a porch are also visible. Two narrow windows, one open, offer a glimpse of fluttery ruffled curtains. It is possible James might have visited Ellen in Oklahoma, where she spent several years; alternately, it might have been taken at the Iowa homes of their sisters Jensine (Walsted) Winther or Anna (Walsted) Johnsen, both of whom had young sons who could be candidates for the little fellow seated on the cellar door.11 Regardless of the location, however, this informal outdoor photograph gives more insight into the personalities of these immigrant siblings than most studio portrait ever could.

Copyright © 2018 Melanie Frick. All Rights Reserved.
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Tombstone Tuesday: Hiram and Eva Margaret (Stoehr) Hammond

Hiram and Eva Margaret (Stoehr) Hammond were a couple who, at the surface, appeared to have little in common.

Hiram, who was said to have been born on 26 February 1813 in Ohio, first appeared in public record when he purchased land in Jackson County, Iowa Territory in the spring of 1845.1 Presumed to be in his early thirties at this time, Hiram spent the next nine years honing his skills as a farmer before purchasing one hundred and sixty acres of land near Volga, Clayton County, Iowa.2 Although there are speculative connections potentially linking Hiram to the family of War of 1812 veteran Jonathan Hammond and his wife Lovisa Herrington, no connections have yet been verified.

Eva Margaret Stoehr, on the other hand, settled in Clayton County, Iowa alongside her parents and siblings.3 She was said to have been born on 02 March 1831 in Weißenstadt, Wunsiedel, Bavaria, the daughter of Lorenz Stoehr, a master tailor who was a veteran of the Napoleonic wars, and his wife Barbara Feicht.4 She immigrated to America aboard the Solon, arriving in New York in 1853, and settled alongside many from her home village in northeastern Iowa.5

Find A Grave, Inc., Find A Grave, digital image (http://www.findagrave.com : accessed 13 July 2014), photograph, Hiram H. Hammond (1813-1896), Memorial No. 84463650, and Eva M. (Stoehr) Hammond (1831-1906), Memorial No. 84463738, Garnavillo Community Cemetery, Garnavillo, Clayton County, Iowa; photograph by Ken Johnson, 2016. Note: The third headstone belongs to daughter Amelia Hammond (1857-1872).

When the couple married in Garnavillo, Clayton County, Iowa on 02 December 1854, Eva was likely just twenty-three years old while Hiram was forty-one.6 Although they were married by a German Lutheran minister, Hiram, unlike Eva, was neither German nor Lutheran.7 Eva was literate and came from a family of skilled craftsmen; Hiram was a farmer and could not write his own name.8 The couple went on to have the following known children: Amelia (1857-1872), Matilda J. (1859-1947), Louisa Barbara (1861-1936), John William (1865-1931), and George H. Hammond (1867-1934).9 In addition to losing their daughter Amelia when she was fourteen years old, it is believed that the couple lost two additional children at young ages.10

The Hammond family farmed near the community of Volga in Clayton County for thirty years, eventually moving to Henderson Prairie near Clermont, Fayette County, Iowa in early 1885.11 They saw success as farmers, and by 1893, as Hiram entered his eighties, he and Eva decided to retire to the nearby town of Postville, Allamakee County, Iowa.12

Despite their vast difference in age, language, and culture, these Iowa pioneers celebrated more than forty years of marriage together. Hiram H. Hammond died on 23 August 1896 in Postville, Allamakee County, Iowa, and Eva Margaret (Stoehr) Hammond died there a decade later on 01 October 1906, both having suffered cerebral hemorrhages.13 They are buried side by side in the Garnavillo Community Cemetery in Garnavillo, Clayton County, Iowa.14

Copyright © 2018 Melanie Frick. All Rights Reserved.
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A South Dakota Marriage

Fred Nielson was twenty-six years old and Christina Marie Schmidt was twenty-one when they married on 08 March 1890 before the Justice of the Peace in Yankton, Yankton County, South Dakota.1 Both Fred and Christina had emigrated from Denmark as children, and for more than fifteen years their families had been neighbors as they farmed less than a mile from each other in eastern Bon Homme and western Yankton counties in southeastern South Dakota.2 Whether the couple first became acquainted as children or young adults is not known, but their first known photograph together, their wedding portrait, survives today.

In the photograph, Christina stands in a heavy skirt and bodice, perhaps wool, with contrasting velvet panels on the high collar, cuffs, and bodice. Her hair is styled without the frizzled bangs that she wore a few years prior, and is instead swept smoothly off her forehead. A horizontal pin at her throat appears to match the pin worn in the earlier photograph. She rests one hand on the shoulder of her husband, who is seated. Fred wears a three-piece suit that is rather tightly fitted, as well as a white collared shirt and tie. A watch chain affixed to his vest is also visible. Fred’s hair has been combed and parted neatly, and he sports a small mustache.

Fred and Christina (Schmidt) Nielsen, South Dakota, 1890; digital image 2010, privately held by Melanie Frick, 2018.

Posed before a painted backdrop of a pastoral scene that doesn’t quite reach the floor, the husband and wife look directly at the camera. Both sturdy, fair-haired Scandinavians, their expressions are serious as was typical in portraits of this era. Although this image is a photocopy, it can be assumed that the original portrait was a cabinet card, a style of photograph mounted on card stock emblazoned with the photographer’s emblem that was popular at the end of the nineteenth century.

Fred and Christina (Schmidt) Nielson would go on to welcome nine children into their family and would live to celebrate twenty-eight years of marriage together.3

Copyright © 2018 Melanie Frick. All Rights Reserved.
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The Adam Brothers

When five of the six living sons of Timothée and Marguerite (Chicoine) Adam gathered in the Midwest circa 1913, it was deemed an occasion worthy of a photograph.1 From left are pictured brothers Louis (1848-1927), Peter (1852-1936), Joseph (1850-1926), Prosper (1867-1943), and Timothy Adam (1846-1919). Although the twenty-one year span in age of these brothers is impressive, in fact, twenty-seven years passed between the births of their eldest sibling and the youngest, who arrived when his mother was fifty years old. At least fourteen children were born in total, with all but the youngest born in Quebec. All got their start in life in the cotton mills of Indian Orchard, Hampden County, Massachusetts, which had lured the Adam family from rural Quebec to America.2

Brothers Louis, Peter, Joseph, Prosper, and Timothy Adam(s), ca. 1913; digital image 2010, privately held by Melanie Frick, 2018. Image courtesy of Dorothy Bouchard.

Timothy, at right, likely resided in Jefferson, Union County, South Dakota at the time this picture was taken,3 not far from Peter, second from left, and Prosper, second from right, who had both settled in Sioux City, Woodbury County, Iowa.4 Joseph, at center, had apparently traveled from his home in Ponca City, Kay County, Oklahoma to reunite with his brothers, as well as, undoubtedly, his twin sister, who lived in Jefferson.5 Louis, the one brother to have remained in Hampden County, Massachusetts, traveled the greatest distance for this reunion.6 The only living Adam brother not pictured here was Euclid John (1856-1940), who spent his adult life in Southbridge, Worcester County, Massachusetts.7 Whether he lost touch with his brothers or was simply unable to make the trip to visit them at the time that this photograph was taken is not known.

The Adam brothers, some of whom adopted the surname Adams in addition to Anglicized versions of their given names, held a variety of trades between them. Census records indicate that after leaving the cotton mills, some went on to become carpenters, barbers, homesteaders, clerks, pool hall operators, and hotel-keepers, among other occupations. All married, and all but Joseph had children of their own.

This photograph is a photocopy of what was said to be a real photo postcard, a format designed to be easily sent by mail to friends or relatives. Like the only known (or suspected) photograph of the mother of the Adam brothers, the original is believed to have been lost.8 Despite the poor quality of this photocopy, it is apparent that the brothers have dressed sharply, with their hair neatly combed and several in ties, although this was apparently not such a formal occasion that they opted to wear jackets. It is also plausible that it was quite hot, if their reunion took place in the summer months, and the gentlemen may well have opted to be as comfortable as possible. Several appear to wear sleeve garters, arm bands that helped to adjust the length of one’s sleeves.9 While the men’s appearances are distinct from one another, particularly given their disparate ages, similarly prominent noses—and, when visible, even hands—help to link them convincingly as brothers.

Copyright © 2018 Melanie Frick. All Rights Reserved.
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