A new arrival in the family has meant that blogging my research findings has taken a backseat in recent months, but with babies on the mind, here is a peek at a sweet little one posed with his mother in the nineteenth century:Pictured is Hannah Marie (Andersen) Nielsen, wife of Ole Nielsen of Yankton, Yankton County, South Dakota, with her infant son Harry Niels Nielsen.1 Harry was to be the couple’s only surviving child; a daughter died in infancy.2 He was born 25 May 1888 in the town of Yankton,3 only a few months after the infamous Children’s Blizzard; his parents, both Danish immigrants, had married in 1880.4 At the time of Harry’s birth, Ole managed a dray line in Yankton, transporting heavy loads in a specially built wagon.5 Later, he would take up farming east of the nearby community of Mission Hill.6
In this photograph, Hannah, forty years of age, wears a dress with a full skirt, fitted sleeves, and a bodice fastened with no less than a dozen buttons.7 A brooch is pinned at her high collar and a flat-brimmed hat atop her head is adorned with feathers, adding an elegant statement to her otherwise relatively simple attire. What appears to be a strip of fabric is wrapped around the palm of her visible hand.
Harry, who looks to be less than a year old, dating this picture to South Dakota’s pre-statehood days of 1888-89, is dressed in a light-colored gown and a snug bonnet. He looks directly at the camera and a belt around his middle secures him to the seat of a baby carriage. The slatted basket is long enough that a smaller baby could lay flat until, like Harry, sitting upright against the fringed backboard would be possible.
I love that a baby carriage is featured here, unlike in any of the other nineteenth century baby photographs in my collection. However, I do have to wonder how practical it would have been at this time and place. While a bustling prairie town in its own right, Yankton was not, by any stretch of the imagination, a particularly urban environment, where a baby carriage might have proven more useful. Was it a prop at the Janousek studio, then, or did it belong to the Nielson family—perhaps a special luxury for a woman who had waited out eight years of marriage for a healthy child?
Whatever the case, this is a charming look at a proud mother and her well-behaved infant striking an elegant pose on the frontier. And, I have to say, the picturesque baby carriages of the nineteenth century were certainly more worthy of studio portraits than those of today!
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