A new arrival in the family has meant that blogging my research findings has taken a backseat in recent months, but with babies on the mind, here is a peek at a sweet little one posed with his mother in the nineteenth century:

Hannah Marie (Andersen) Nielsen with Harry Niels Nielsen, Yankton, Dakota Territory, 1888-89; digital image 2014, privately held by [personal information withheld].
In this photograph, Hannah, forty years of age, wears a dress with a full skirt, fitted sleeves, and a bodice fastened with no less than a dozen buttons.7 A brooch is pinned at her high collar and a flat-brimmed hat atop her head is adorned with feathers, adding an elegant statement to her otherwise relatively simple attire. What appears to be a strip of fabric is wrapped around the palm of her visible hand.
Harry, who looks to be less than a year old, dating this picture to South Dakota’s pre-statehood days of 1888-89, is dressed in a light-colored gown and a snug bonnet. He looks directly at the camera and a belt around his middle secures him to the seat of a baby carriage. The slatted basket is long enough that a smaller baby could lay flat until, like Harry, sitting upright against the fringed backboard would be possible.
I love that a baby carriage is featured here, unlike in any of the other nineteenth century baby photographs in my collection. However, I do have to wonder how practical it would have been at this time and place. While a bustling prairie town in its own right, Yankton was not, by any stretch of the imagination, a particularly urban environment, where a baby carriage might have proven more useful. Was it a prop at the Janousek studio, then, or did it belong to the Nielson family—perhaps a special luxury for a woman who had waited out eight years of marriage for a healthy child?
Whatever the case, this is a charming look at a proud mother and her well-behaved infant striking an elegant pose on the frontier. And, I have to say, the picturesque baby carriages of the nineteenth century were certainly more worthy of studio portraits than those of today!
Copyright © 2017 Melanie Frick. All Rights Reserved.
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![The Bee Hive, Yankton County, South Dakota, ca. 1918; digital image 2014, privately held by [personal information withheld].](https://homesteadgenealogy.com/wp-content/uploads/2014/05/scan0855.jpg?w=300&h=185)




The reverse side of the photograph, mounted on heavy card stock, provides printed detail about the South Cheyenne Canon, famed for its natural beauty and sites of historical interest. The Seven Falls Photo & Curio Co. was responsible for this photograph, which was “taken at the foot of the famous Seven Falls.” It was possible to order duplicates by referencing the number shown on the photograph. (The number on the mat came only recently.) Given the number 716, it seems that plenty of these souvenir photographs must exist; I spotted several on eBay and on 



